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The Assassins' Gate  
Author: George Packer
ISBN: 0374299633
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   Book Review
THE ASSASSINS’ GATE: AMERICA IN IRAQ recounts how the United States set about changing the history of the Middle East and became ensnared in a guerilla war in Iraq. It brings to life the people and ideas that created the Bush administration’s war policy and led America to the Assassins’ Gate—the main point of entry into the American zone in Baghdad. The consequences of that policy are shown in the author’s brilliant reporting on the ground in Iraq, where he made four tours on assignment for The New Yorker. We see up close the struggles of American soldiers and civilians and Iraqis from all backgrounds, thrown together by a war that followed none of the preconceived scripts.
The Assassins' Gate also describes the place of the war in American life: the ideological battles in Washington that led to chaos in Iraq, the ordeal of a fallen soldier’s family, and the political culture of a country too bitterly polarized to realize such a vast and morally complex undertaking. George Packer’s first-person narrative combines the scope of an epic history with the depth and intimacy of a novel, creating a masterful account of America’s most controversial foreign venture since Vietnam.



The Assassins' Gate: America in Iraq

FROM THE PUBLISHER

The Assassin's Gate: America in Iraq recounts how the United States set about changing the history of the Middle East and became ensnared in a guerrilla war in Iraq. It tells the story of the people and ideas that created the Bush administration's war policy and led America to the Assassin's Gate--the main point of entry into the American zone in Baghdad. The consequences of that policy are shown in the author's vivid reporting on the ground in Iraq, where he made several tours on assignment for The New Yorker. We see up close the struggles of individual American soldiers and civilians and Iraqis from all backgrounds, including returning exiles, thrown together by a war that followed none of the preconceived scripts.

The Assassin's Gate also describes the effect of the Iraq war on American life, including the ordeal of a fallen soldier's family and the shortcomings of a political culture too impoverished in its knowledge of the world and too bitterly polarized to debate complex moral and strategic questions. George Packer's intimate first-person narrative navigates this journey through the landscapes of America and Iraq while tracing the author's own evolving views, bringing to the page the full range of ideas and emotions stirred up by our most controversial foreign-policy venture since Vietnam.

FROM THE CRITICS

Michiko Kakutani - The New York Times

In his authoritative and tough-minded new book…the New Yorker writer George Packer reminds us that the decision of the Bush administration to go to war against Iraq and its increasingly embattled handling of the occupation were both predicated upon large, abstract ideas about the role of America in the post-cold war world…What The Assassins' Gate may lack in freshness…is more than made up for by its wide-angled, overarching take on the Iraq war and Mr. Packer's lucid ability to pull together information from earlier books and integrate it with his own reporting from Washington and Iraq.

Gideon Rose - The Washington Post

Packer's sketch of the prewar debates is subtle, sharp and poignant. His book truly picks up, however, once the wheels of history have been set in motion. Writing with barely suppressed fury and continued bafflement, he describes how the great and noble enterprise he supported is inexplicably handed over to those least qualified to make it work…Packer relates all this clearly and briskly, painting moving portraits of both Iraqis and Americans while skillfully guiding the reader through the intricacies of colonial administration, Iraqi ethnic politics and Beltway skullduggery. His reporting from Iraq was always good, but the book is even better, putting the reader at the side of Walter Benjamin's angel of history, watching helplessly as the wreckage unfolds at his feet.

Publishers Weekly

It is extremely uncommon for any reporter to read another's work and to find that he altogether recognizes the scene being described. Reading George Packer's book, I found not only that I was remembering things I had forgotten, but also that I was finding things that I ought to have noticed myself. His book rests on three main pillars: analysis of the intellectual origins of the Iraq war, summary of the political argument that preceded and then led to it, and firsthand description of the consequences on the ground. In each capacity, Packer shows himself once more to be the best chronicler, apart perhaps from John Burns of the New York Times, that the conflict has produced. (I say "once more" because some of this material has already appeared in the New Yorker.) A very strong opening section traces the ideas, and the ideologists, of the push for regime change in Iraq. Packer is evidently not a neoconservative, but he provides an admirably fair and lucid account of those who are. There is one extraordinary lacuna in his tale-he manages to summarize the long debate between the "realists" and the "neocons" without mentioning Henry Kissinger-but otherwise he makes an impressively intelligent guide. Of value in itself is the ribbonlike presence, through the narrative, of the impressive exile Iraqi dissident Kanan Makiya, upon whom Packer hones many of his own ideas. (I should confess that I myself make an appearance at this stage and, to my frustration, can find nothing to quarrel with.) The argument within the administration was not quite so intellectual, but Packer takes us through it with insight and verve, giving an excellent account in particular of the way in which Vice President Cheney swung from the "realist" to the "neocon" side. And then the scene shifts to Iraq itself. Packer has a genuine instinct for what the Iraqi people have endured and are enduring, and writes with admirable empathy. His own opinions are neither suppressed nor intrusive: he clearly welcomes the end of Saddam while having serious doubts about the wisdom of the war, and he continually tests himself against experience. The surreal atmosphere of Paul Bremer's brief period of palace rule is very well caught, but the outstanding chapter recounts a visit to the northern city of Kirkuk and literally "walks" us through the mesh of tribal, ethnic and religious rivalry. The Iraq debate has long needed someone who is both tough-minded enough, and sufficiently sensitive, to register all its complexities. In George Packer's work, this need is answered. (Oct. 15) Copyright 2005 Reed Business Information.

Library Journal

What a mess! That is Packer's analysis of America in Iraq. He summarizes the political and intellectual basis for the U.S. presence there as emerging from the neoconservative thinking of Paul Wolfowitz, Robert Kagan, Richard Perle, William Bennett, and other Bush administration figures. He also points to the justification embedded in Arab tyranny, weapons proliferation, strategic threats to oil, the weakness of Democratic party leadership, and security for Israel. Political philosopher Leo Strauss is characterized as the intellectual spinal cord of the Republicans, in neat contrast to Packer's implication of the lack of intellectual capacity or practice by members of the Bush administration. Packer (staff writer, The New Yorker; Blood of the Liberals) moves the focus in the second half of his work from Washington to Iraq to record the experiences and thinking of the lower-level administrators and soldiers as they apply neoconservative policy. Although it has been said that truth is the first thing to disappear in war, Packer meets head on the failings of Washington policy as implemented by those administrators and soldiers on the ground in Iraq. This disturbing and thought-provoking work is recommended for all libraries. [See Prepub Alert, LJ 6/15/05.] Copyright 2005 Reed Business Information.

Kirkus Reviews

"Iraq," observes New Yorker staff writer Packer (Blood of the Liberals, 2000, etc.), "is the Rashomon of wars."Which is to say, no one can be sure why the U.S. government decided to invade Iraq: Ask any given official, get a different reason from the one offered by the office next door. Yet, to judge by its intellectual architects, the war is on at least one level a war of ideas: Here were men such as Paul Wolfowitz, Richard Perle and Robert Kagan, informed not only by the neoconservatives of the 1960s but, perhaps more importantly, by the communist Trotsky, transposing his permanent revolution onto an Islamic battlefield. Interventionist and even imperialist, these men (and a few women) had little pull with a GOP in opposition to the sort-of-interventionist Bill Clinton, which expressed that opposition by urging America isolationism; it was the task of the neo-neocons to "take over-or take back-the Republican Party. Then, in a few years, the nation. After that, the world." The brilliant geopolitical technocrats in their ranks had their chance once George W. Bush got into office, Packer observes, though Bush had non-intellectual reasons of his own for wanting to overthrow the government of Saddam Hussein. Six days after 9/11, Bush declared, without evidence, that the Iraqis were involved; given events, no evidence was necessary, and so Bush ordered the American army in Afghanistan, where the terrorists were, to transfer their attention to Iraq, saying, "Fuck Saddam. We're taking him out." Enter a new breed of ideologues, such as Donald Rumsfeld and Dick Cheney, who, Packer shows, have no ideas but bad ones. Exit the intellectual architects. Enter kid soldiers with ideas of their own abouthow to conduct a war; says one to a prisoner, "I will fucking kick your ass. I will cut you up." Exit the anti-Saddam resistance within Iraq, which has a new enemy. As memorable as Michael Herr's Dispatches, and of surpassing immediacy.